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Acoustic country track “High,” a standout, finds her craving memories that won’t come back, using her signature rasp to accentuate the longing. Miley intimates a relationship mired by nose drugs and threesomes with randos, capping it cheekily on the chorus: “What the f*ck do I know? I’m alone.” It’s an ample mission statement for an album that contemplates the past. Opener “WTF Do I Know” is clear-throated invective of the fallout from her brief marriage to Hemsworth over power-pop-gleaned riffs. It may be more spirited than recent downcast trends in the genre, but aside from the excellent lead single “Midnight Sky” and Lipa duet “Prisoner,” a measured invocation of the Police and Miami Vice, it’s super-fun and super-cheese. It is a pop polyglot’s playground, one where she sounds comfortable and embodied - but there is no mistaking it's pop music.
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She turns to decades-aged rock tropes and brings along with her big-time contemporary collaborators Mark Ronson, Post Malone producer Louis Bell, and Dua Lipa, plus icons like Billy Idol and Joan Jett. In other words: This time, she hasn’t settled. On Plastic Hearts, Cyrus isn’t rising from the literal ashes so much as she’s singing to them - in self-reflection of her wildness and in gratitude for feeling like herself and feeling creative in spite of it all. Their house was tragically destroyed in the 2018 Woolsey fire, and Cyrus and Hemsworth’s divorce was finalized in January of this year. But a lot has happened in the interim years. Sterile lead single “Malibu” was a paean to her reconciliation with then-fiancé Liam Hemsworth and the SoCal coastal home they shared. The pop star’s last full-length record, 2017’s part pop-rock and part country album Younger Now, was weakly produced and belied her range and the legacy of bold-hearted authenticity bequeathed to her by her godmother, Dolly Parton. It also feels like it was an inevitability - the grown-up version of early aughts, post- Hannah tracks like the light pop-punk “7 Things” and the emotional “The Climb,” the teen who got to sing “Bad Reputation” with Joan Jett on Oprah finally coming home to roost. Her latest and seventh studio album, Plastic Hearts, is another sonic turn, this time toward classic rock slicked in pop’s high gloss. Sometimes that meant ersatz-twerking to Mike Will beats during her widely-critiqued Bangerz era, or experimental psychedelia collaborations with Flaming Lips’s Wayne Coyne, like on her album Miley Cyrus and Her Dead Petz. Since the end of her star-making Disney Channel show Hannah Montana - which itself was about a middle-schooler who harbored a second identity as a fireball pop singer - her music has indulged in genre spelunking. “I know that you’re wrong for me / Gonna wish we never met on the day I leave,” she howls.Miley Cyrus’s vibe has often been about wanting more. On the vulnerable midtempo “Angels Like You,” she learns to let go and realizes that the relationship was not meant to be - even if everything looked A-OK from the outside looking in. “Am I wrong that I moved on, and I / And I don’t even miss you / Thought that it’d be you until I die / But I let go,” she sings over electric guitars and a stadium-rock beat.Īs Plastic Hearts progresses, though, the Hannah Montana alum’s heartache morphs into self-reflection. Right from the jump, she dives into their 2019 split with “WTF Do I Know,” her most savage kiss-off since “7 Things” from 2008’s Breakout. Much of the album is inspired by Cyrus’ divorce from Liam Hemsworth. She also brings Dua Lipa along for the ride of a lifetime with their badass, unintended quarantine anthem, “Prisoner.” Miley Cyrus Through the Years Read articleĪcross 15 tracks, the singer, 28, embraces being utterly unapologetic and secures her place among rock royalty thanks to collaborations with the legendary Billy Idol, Joan Jett and Stevie Nicks.